Showing posts with label Art Bead Scene. Show all posts
Showing posts with label Art Bead Scene. Show all posts

Monday, June 27, 2011

Ophelia: Rosemary is for remembrance, this is for you.
               Pansies are for thoughts, there you go.

               ...
               There's a fennel for you, and a columbines.
               There's a rue for you, and here is some for me.
               There's a daisy. I would give you some violets,
               but all of them withered when my father died...

~ Shakespeare, Hamlet Act 4, Scene 5


In researching this painting, I came to find that Ophelia is one of the most illustrated of all Shakespeare's characters and scenes. Most depictions show her as tragic, mad, and distraught. While Odilon Redon's painting hints at the tragedy that befalls this lady, it has a sense of peace about it.



For this month's Art Bead Scene challenge I decided to focus on the color palette, with the bright turquoise, buttery yellow, gray stone and black hair. Diving into my art bead stash, I found this beautiful glass bloom from Lisa Kan. The yellow stamens were the perfect way to tie in the yellow that is so prevalent in this painting.


To hint at the black of the hair and vines, I decided to string this bracelet on black leather cord. Some of the leaf beads are tied to the bracelet with the leather to suggest the dark tones. The round ceramic beads in grays and soft turquoise are like the pool of water with the stone bank surrounding it. I added some silver plated spacers and leaves as well as some Czech glass leaves for the botanicals.

{Ophelia available on Etsy}

In Victorian times, flowers were a language all their own known as floriography. Ophelia's descent into madness is punctuated by her speech before the King when she passes out flowers to the onlookers. Ophelia would have known that secret coded language and it allowed her to speak volumes without really saying a word. Flowers allowed her to speak her mind to the King and Queen without being direct as that would have been impolite and inappropriate for a courtesan such as her. But the message would have been loud and clear to the patrons of the Bard who came to view the play.

A bit about the language of flowers:

Rosemary = remembrance. Ophelia wants her brother Laertes to have fond memories of their father.

Pansy = pleasant thoughts, think of me. Similar to the Rosemary, pansies were given as a symbol that thoughts of the loved one were always near. Ophelia may be hinting to her brother of her imminent demise, to think of her fondly when she is gone.

Fennel = worthy of praise and flattery. When Ophelia hands these to the King, it is a pretty brash move. She is flattering him, but also reminding him that once picked, fennel wilts quickly and this would be a subtle reminder of the foolishness of male adultery.

Columbine = foolishness. Ophelia is reminding the King of his foolish ways.

Rue = regret, disdain. This is a bitter herb and she hands some to the Queen and some to herself. This would be an insult to the Queen by insinuating that there is some action for her to regret and not so subtly telling the Queen that she has contempt for her actions.

Daisy = innocence, simplicity, loyal love. When Ophelia views the daisy it is more with the sadness of knowing that she no longer is filled with innocence, that the events of the play and the relationships she had have stolen that simplicity from her.

Violets = love and faithfulness. This last bloom tells much of her allegiance to her father. She is faithful to his memory and his death has shaken her faith to the core.

Coded messages in flowers were very popular in Victorian times and it was a clever dramatic element to include them in the story. Ophelia does not choose these flowers randomly, and their symbolism is loud and clear to the King and Queen, allowing Ophelia to have the voice that she lacked even in this moment of madness.

Today, the language of flowers is alive and well, with many happy meanings. The recent wedding ceremony of Kate and William continues the tradition with a bouquet chosen specifically for their coded messages in flowers. Flowers such as lily of the valley, hyacinth and ivy were chosen to directly speak to each other of their love and constancy and also included a sprig of myrtle (emblem of marriage and love) that came directly from a plant that Queen Victoria enjoyed.

Your turn...

What message would you like to receive coded in flowers?

Do tell!
Enjoy the day!

Art Bead Scene: Ophelia

Ophelia: Rosemary is for remembrance, this is for you.
               Pansies are for thoughts, there you go.

               ...
               There's a fennel for you, and a columbines.
               There's a rue for you, and here is some for me.
               There's a daisy. I would give you some violets,
               but all of them withered when my father died...

~ Shakespeare, Hamlet Act 4, Scene 5


In researching this painting, I came to find that Ophelia is one of the most illustrated of all Shakespeare's characters and scenes. Most depictions show her as tragic, mad, and distraught. While Odilon Redon's painting hints at the tragedy that befalls this lady, it has a sense of peace about it.



For this month's Art Bead Scene challenge I decided to focus on the color palette, with the bright turquoise, buttery yellow, gray stone and black hair. Diving into my art bead stash, I found this beautiful glass bloom from Lisa Kan. The yellow stamens were the perfect way to tie in the yellow that is so prevalent in this painting.


To hint at the black of the hair and vines, I decided to string this bracelet on black leather cord. Some of the leaf beads are tied to the bracelet with the leather to suggest the dark tones. The round ceramic beads in grays and soft turquoise are like the pool of water with the stone bank surrounding it. I added some silver plated spacers and leaves as well as some Czech glass leaves for the botanicals.

{Ophelia available on Etsy}

In Victorian times, flowers were a language all their own known as floriography. Ophelia's descent into madness is punctuated by her speech before the King when she passes out flowers to the onlookers. Ophelia would have known that secret coded language and it allowed her to speak volumes without really saying a word. Flowers allowed her to speak her mind to the King and Queen without being direct as that would have been impolite and inappropriate for a courtesan such as her. But the message would have been loud and clear to the patrons of the Bard who came to view the play.

A bit about the language of flowers:

Rosemary = remembrance. Ophelia wants her brother Laertes to have fond memories of their father.

Pansy = pleasant thoughts, think of me. Similar to the Rosemary, pansies were given as a symbol that thoughts of the loved one were always near. Ophelia may be hinting to her brother of her imminent demise, to think of her fondly when she is gone.

Fennel = worthy of praise and flattery. When Ophelia hands these to the King, it is a pretty brash move. She is flattering him, but also reminding him that once picked, fennel wilts quickly and this would be a subtle reminder of the foolishness of male adultery.

Columbine = foolishness. Ophelia is reminding the King of his foolish ways.

Rue = regret, disdain. This is a bitter herb and she hands some to the Queen and some to herself. This would be an insult to the Queen by insinuating that there is some action for her to regret and not so subtly telling the Queen that she has contempt for her actions.

Daisy = innocence, simplicity, loyal love. When Ophelia views the daisy it is more with the sadness of knowing that she no longer is filled with innocence, that the events of the play and the relationships she had have stolen that simplicity from her.

Violets = love and faithfulness. This last bloom tells much of her allegiance to her father. She is faithful to his memory and his death has shaken her faith to the core.

Coded messages in flowers were very popular in Victorian times and it was a clever dramatic element to include them in the story. Ophelia does not choose these flowers randomly, and their symbolism is loud and clear to the King and Queen, allowing Ophelia to have the voice that she lacked even in this moment of madness.

Today, the language of flowers is alive and well, with many happy meanings. The recent wedding ceremony of Kate and William continues the tradition with a bouquet chosen specifically for their coded messages in flowers. Flowers such as lily of the valley, hyacinth and ivy were chosen to directly speak to each other of their love and constancy and also included a sprig of myrtle (emblem of marriage and love) that came directly from a plant that Queen Victoria enjoyed.

Your turn...

What message would you like to receive coded in flowers?

Do tell!
Enjoy the day!

Art Bead Scene: Ophelia

Monday, May 30, 2011

 "To sit in the shade on a fine day and look upon verdure is the most perfect refreshment."  ~Jane Austen

This month's painting was Cache-Cache by Berthe Morisot.

I love this painting with its quaint little village in the distance, the fun that the mother and daughter are having, the ruffly umbrella and the peek of sky in the clouds. But I will admit that the color palette stumped me a bit.

I am drawn to the dark green and the pops of red, so that is what I pulled out first. Green goldstone is one of my favorites, with its flashes of sparkle in the right light. The red blooms on the tree were the red velvet glass rondelles. To repeat the oval pattern I pulled in some great hammered oval chain. I am hoarding the last foot and a half that I have of it, I love it so. I needed to pull the greens into the piece. I found this Mary Harding toggle that was perfect in tone. I added the goldstone into it, and raided my stash of silks from Marsha Neal and came upon these different shades of green. I decided to wrap the links. No other embellishment is needed to highlight the toggle by Mary. And the best part is that you can wear it any which way...with the toggle in front, or off to one side, depending on what you feel like.

I call this necklace "Seeking Solitude."


I really loved the little village in the background of the painting, so I decided to do one more. I happened to find a pair of little house beads that I believe are from Jubilee that was a perfect match. I used the same green goldstone this time paired with cranberry colored pearls and brass bead caps. I have these funky marquise shaped links from GemmeTresor. I decided to use the same seed beads in the beaded part to wire wrap the links just for interest and to tie in the beading wrapped on the hook clasp.

I call this bracelet "Finding My Home."

Be sure to stop over to the Art Bead Scene on May 31st for the monthly Blog Tour that I host rounding up all the fabulous pieces that were inspired by this months' art.

(And I will also be announcing the ONE WINNER of the HUGE BEADS 2011 GIVEAWAY at the end of that post! Someone will be very lucky indeed!)

Enjoy the day!

May Art Bead Scene Challenge

 "To sit in the shade on a fine day and look upon verdure is the most perfect refreshment."  ~Jane Austen

This month's painting was Cache-Cache by Berthe Morisot.

I love this painting with its quaint little village in the distance, the fun that the mother and daughter are having, the ruffly umbrella and the peek of sky in the clouds. But I will admit that the color palette stumped me a bit.

I am drawn to the dark green and the pops of red, so that is what I pulled out first. Green goldstone is one of my favorites, with its flashes of sparkle in the right light. The red blooms on the tree were the red velvet glass rondelles. To repeat the oval pattern I pulled in some great hammered oval chain. I am hoarding the last foot and a half that I have of it, I love it so. I needed to pull the greens into the piece. I found this Mary Harding toggle that was perfect in tone. I added the goldstone into it, and raided my stash of silks from Marsha Neal and came upon these different shades of green. I decided to wrap the links. No other embellishment is needed to highlight the toggle by Mary. And the best part is that you can wear it any which way...with the toggle in front, or off to one side, depending on what you feel like.

I call this necklace "Seeking Solitude."


I really loved the little village in the background of the painting, so I decided to do one more. I happened to find a pair of little house beads that I believe are from Jubilee that was a perfect match. I used the same green goldstone this time paired with cranberry colored pearls and brass bead caps. I have these funky marquise shaped links from GemmeTresor. I decided to use the same seed beads in the beaded part to wire wrap the links just for interest and to tie in the beading wrapped on the hook clasp.

I call this bracelet "Finding My Home."

Be sure to stop over to the Art Bead Scene on May 31st for the monthly Blog Tour that I host rounding up all the fabulous pieces that were inspired by this months' art.

(And I will also be announcing the ONE WINNER of the HUGE BEADS 2011 GIVEAWAY at the end of that post! Someone will be very lucky indeed!)

Enjoy the day!

May Art Bead Scene Challenge

Saturday, April 23, 2011

Want to read about how I made this?


Come on over to Art Bead Scene. It is my turn for Studio Saturday... and there is a giveaway of this little etched copper tag to three random winners!


Enjoy the day!

Art Bead Scene Studio Saturday

Want to read about how I made this?


Come on over to Art Bead Scene. It is my turn for Studio Saturday... and there is a giveaway of this little etched copper tag to three random winners!


Enjoy the day!

Art Bead Scene Studio Saturday

Saturday, January 29, 2011

"The whole world, as we experience it visually, comes to us through the mystic realm of color."  ~Hans Hoffman
 

A few years ago I discovered the Art Bead Scene and the monthly jewelry challenges inspired by a work of art. I would be remiss if I didn't give credit where credit is due: Heather Powers and the whole Art Bead Scene crew were the inspiration behind my solo art exhibit at Gallery Q last summer called "Inspired by..." using local artists for the inspiration, and bead artists (many discovered through the Art Bead Scene) for the components.

I love the challenges, particularly because they are challenges. Sometimes some of my challenge pieces have turned out so well that I have sold them, or better yet, had them accepted for publication. So if you are on the fence about participating in artistic challenges, I would say go for it!

Last year with my preparations for my show I was really a slacker with my participation on Art Bead Scene. This year I have no excuse and I plan to enter all 12 challenges. That's my plan. Now you all have to keep me honest with that.

The January inspiration painting really lit the ABS community on fire. I saw so many hopping on board and getting excited. And how could you not when you see the vibrancy of the challenge inspiration painting by Wayne Thiebaud.
{Brown River by Wayne Thiebaud}

From the Art Bead Scene website:

About the Art
"River-delta views from the Sacramento area, cityscapes from San Francisco and beach scenes from Southern California, no matter the subject, these works uniformly attest to the artist’s ability to sensuously manipulate pigment and capture clear light and vibrant color. It is this technical virtuosity, along with the artist’s tongue-in-cheek humor and ability to capture the realities of our place in time, that have helped to make Thiebaud a uniquely American painter."

About the Artist
Wayne Thiebaud (born Mesa, Arizona, November 23, 1920) is an American painter whose most famous works are of cakes, pastries, boots, toilets, toys and lipsticks. His last name is pronounced "Tee-bo." He is associated with the Pop art movement because of his interest in objects of mass culture, however, his works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work. 
His family moved to Long Beach, California when he was six months old. One summer during his high school years he apprenticed at the Walt Disney Studio. He earned a degree from Sacramento State College in 1941. From 1938 to 1949, he worked as a cartoonist and designer in California and New York and served as an artist in the United States Navy.

{Sunny Sacramento}

My inspiration was the bright patchwork of  color. And I had the perfect pendant from Jennifer Heynen of Jangles. I took my pendant and a copy of the painting with me on a shopping trip to Michaels and found some speckled coral pink sponge coral rondelles and lime green mother of pearl coins for color. I also lucked out and found these really sweet new components that are loose wire coils that have what looks like dripped enamel on them, and antique copper chain for the brown river, both from the Industrial Chic line. I also added some bright blue wood coin beads and made a galvanized steel wire clasp in the angular shape of the river. Since the artist, Wayne Thiebaud focused his paintings on Southern California, I called this one 'Sunny Sacramento.'

Available in my Etsy shop here.

Does this painting grab you? What does it remind you of?
Check out the other entries in the Flickr site here.

Art Bead Scene::Brown River